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Teresa Budasi on May 22nd, 2008
The following is a bare-bones synopsis of writer-director Thomas McCarthy’s latest film, The Visitor. A lonely man keeps to himself upon losing someone dear to him. He then meets an energetic stranger who helps recharge his broken spirit. A couple of women also enter his life and help to reawaken
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Teresa Budasi on May 22nd, 2008
The following is a bare-bones synopsis of writer-director Thomas McCarthy’s latest film, The Visitor. A lonely man keeps to himself upon losing someone dear to him. He then meets an energetic stranger who helps recharge his broken spirit. A couple of women also enter his life and help to reawaken
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Teresa Budasi on February 28th, 2008
Penelope Wilhern has a pig nose. Let’s just get that out in the open straightaway. It was a birth defect caused by a family curse that cannot be surgically fixed because the carotid artery runs through it, or some such. Still with me? Penelope (Christina Ricci) is an adult now,
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Teresa Budasi on February 28th, 2008
Penelope Wilhern has a pig nose. Let’s just get that out in the open straightaway. It was a birth defect caused by a family curse that cannot be surgically fixed because the carotid artery runs through it, or some such. Still with me? Penelope (Christina Ricci) is an adult now,
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Teresa Budasi on July 19th, 2007
In America, garden vegetables are as big as people and currency grows in the shrubbery. At least that’s what one Sicilian peasant family thinks upon seeing some doctored-up postcards. Salvatore Mancuso (Vincenzo Amato) is a poor farmer. His land is rough and rocky, and his livestock consists of a donkey,
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Teresa Budasi on July 19th, 2007
In America, garden vegetables are as big as people and currency grows in the shrubbery. At least that’s what one Sicilian peasant family thinks upon seeing some doctored-up postcards. Salvatore Mancuso (Vincenzo Amato) is a poor farmer. His land is rough and rocky, and his livestock consists of a donkey,
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Teresa Budasi on July 5th, 2007
The best part of “License to Wed” comes fairly late in the movie, after you haven’t laughed nearly enough, after you’ve looked at your watch a half-dozen times, and long after you’ve decided you don’t care about the characters, not one bit. It’s when John Krasinski punches Robin Williams in the
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Teresa Budasi on July 5th, 2007
The best part of “License to Wed” comes fairly late in the movie, after you haven’t laughed nearly enough, after you’ve looked at your watch a half-dozen times, and long after you’ve decided you don’t care about the characters, not one bit. It’s when John Krasinski punches Robin Williams in the
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Teresa Budasi on June 21st, 2007
It is difficult not to compare every movie based on a Stephen King horror story to the greatness of Stanley Kubrick’s “The Shining” (1980). There have been other great King-to-screen fright fests, notably Brian De Palma’s “Carrie” (1976) and Rob Reiner’s “Misery” (1990), but there was something extra about Kubrick’s
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Teresa Budasi on June 21st, 2007
It is difficult not to compare every movie based on a Stephen King horror story to the greatness of Stanley Kubrick’s “The Shining” (1980). There have been other great King-to-screen fright fests, notably Brian De Palma’s “Carrie” (1976) and Rob Reiner’s “Misery” (1990), but there was something extra about Kubrick’s
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